Noah Spivak

ACENTRICSPACE第208位驻地艺术家

2026年十月驻地艺术家

Noah Spivak

No. 208 ACENTRICSPACE Resident Artist

2026 October Resident Artist
Noah Spivak

关于艺术家 About the Artist

（加拿大 Canada）
www.noahspivak.com

Instagram: @_noahspivak_

Spivak曾就读于库伯高级科学艺术联合学院，并于温哥华艾米丽卡尔艺术设计大学获得艺术学士学位（2015年）。毕业后，他移居至Naarm/墨尔本，致力于拓展其艺术实践并开启职业生涯。他较为瞩目的展览包括：作为“2022年全国科学周”项目之一在 Counihan 画廊举办的《Leftovers of a Ghost》（墨尔本，2022年）；在Phoenix画廊举办的《A Study of the Boy with Wings》（雅典，2023年）；以及近期举办的《Crossing a Shoreless Sea》（胡志明市，2025年），这也是该艺术家在亚洲的首个个展。Spivak曾荣获由FortyFive Downstairs颁发的“2021年度新锐艺术家奖”，并入围多个奖项，包括“2024年焚化炉艺术奖”（维多利亚州）和“2026年温德姆艺术奖”（维多利亚州）。他曾入选《VOGUE Living》杂志的“Fresh Take”栏目，被誉为2022年“最具潜力的澳大利亚青年艺术家之一”。Spivak的作品曾在国内外广泛展出。

Spivak的创作与材料所蕴含的“炼金术”特质展开持续对话，任由材料的内在属性引导并塑造最终形态。这种与物质的协作催生了以过程为导向的艺术作品，着重呈现转化、衰变以及物质世界中那些不可见的力量。他尤其关注“不可见”之物，如能量、联结与身份认同，并探索如何通过艺术创作过程将其具象化。他的工作室既是充满好奇与探究精神的场域，也是一个接纳偶然、信赖直觉的空间。通过这种探索，他的作品审视了自我与环境之间那渗透交融的边界。Spivak的艺术实践是对“在场”、记忆及“觉察”行为的沉思，同时也邀请观众进入一个重新审视感知的空间。

Spivak studied at the Cooper Union School of Art, NYC, and received a BFA from Emily Carr University of Art and Design, Vancouver (2015). After graduation, he migrated to Naarm/Melbourne to develop his practice and begin a professional career in the Arts. His more notable exhibitions include Leftovers of a Ghost at Counihan Gallery (Melbourne, 2022) programmed into National Science Week 2022; A Study of the Boy with Wings at Phoenix Gallery (Athens, 2023); and most recently, Crossing a Shoreless Sea (Ho Chi Minh, 2025), which marks the artist’s first solo exhibition in Asia. Spivak was awarded the 2021 Emerging Artist Award presented by FortyFive Downstairs and has been shortlisted for numerous other awards, including the 2024 Incinerator Art Award (VIC) and the 2026 Wyndham Art Prize (VIC). He was featured as VOGUE Living’s ‘Fresh Take’, being named as “one of the most promising young Australian artists” of 2022. Spivak has exhibited both nationally and internationally.

Spivak’s work engages in an ongoing dialogue with the alchemical qualities of materials, allowing their innate properties to guide and shape the outcome. This collaboration with matter results in process-driven artworks that emphasise transformation, decay, and the unseen forces in the material world. He is particularly interested in the invisible – energies, connections, identities – and how they might be made tangible through artistic process. His studio becomes a site of curiosity and inquiry, where accidents are welcomed, and intuition is trusted. Through this exploration, his work examines the porous boundaries between the self and the environment. Spivak’s practice is a meditation on presence, memory, and the act of noticing, while inviting the viewer into a space where perception is questioned.

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