Ophélie Collet

ACENTRICSPACE第171位驻地艺术家

2025年十一月驻地艺术家
Ophélie Collet

No. 171 ACENTRICSPACE Resident Artist

2025 November Resident Artist

Ophélie Collet

关于艺术家 About the Artist

（法国 France）

www.opheliecollet.com

IG: @ophelie.cllt

Ophélie Collet是一位探索物质转化的法国艺术家。

她以自然现象学和材料的物理特性为指导，秉持着“万物皆流，万物皆随时间变化”（panta rhei）的理念开展创作。

她的实践游走于装置与舞蹈、物质与身体、人类与非人类的时间之间。她探索材料的过渡状态和动态存在，并运用有机玻璃、混凝土、织物、水和火等媒介。

Ophélie研究物质的行为，质疑其在机械力和物理力作用下自我转化和结构化的能力。

她倾向于创造舞蹈和舞台系统 – 例如物质的表演。

通过姿态，她使动作脱离个体的意图。在材料的引导下，运动以其自身的节奏、能量和时间展开：这就是物质的时间。

Ophélie的作品聚焦于物质化为形态 – 成为身体 – 的临界空间。物质如何在空间中运动？我们如何感知其轨迹？我们又如何创造这种现象？

她近期的探索通过创造一个能够维持持续运动的机械系统，进一步延伸了这个问题。

她探究生命与惰性、运动与捕捉、人类与元素之间的界限。她的作品以循环的方式展开，每个结束都开启新的开始 – 她试图揭示并呈现这一现象。

Ophélie毕业于巴黎Duperré国立应用艺术学院，之后在日本发展她的艺术事业，并持续在日本举办展览和进行创作。

Ophélie Collet is a French artist who explores the transformation of matter.

Guided by natural phenomenology and the physical behavior of materials, she developed her projects with the idea that everything flows, everything changes over time, named panta rhei.

Her practice unfolds between installation and choreography, between matter and body, between human and non-human time. She explores transitional states and the kinetic presence of materials, using media such as plexiglass, concrete, fabrics, water, and fire.

Ophélie investigates the behavior of matter, questioning its ability to transform and to structure itself under the influence of mechanical and physical forces.

She tends to create choreographic and scenographic systems — such as performances of matter.

Through the gesture, she allows movement to detach itself from the individual intention. Guided by the material, motion unfolds with its own rhythm, its own energy, its own time: the time of matter.

Ophélie’s works focus on the liminal space where matter becomes form — where it becomes a body. How does matter move in space? How can we perceive its trajectory? How can we produce this phenomenon?

Her recent explorations extend this question through the creation of a mechanical system that sustains continual movement.

She investigates the boundaries between the living and the inert, between movement and its capture, between the human and the elemental. Her work unfolds as a cycle, where each ending opens onto a new beginning — a phenomenon, she seeks to reveal and bring to the stage.

Graduate of the National School of Applied Arts in Paris Duperré, then she has developed her work in Japan, where she continues to exhibit and create.

过往作品 Previous Works