潘亭希 Azusa Pan

ACENTRICSPACE第212位驻地艺术家

2026年十一月驻地艺术家
潘亭希

No. 212 ACENTRICSPACE Resident Artist

2026 November Resident Artist
Azusa Pan

关于艺术家 About the Artist

（中国 China）
azusapanblog.wordpress.com

Instagram: @azusapan1

潘亭希是一位中国跨媒介视觉艺术家，本科毕业于纽约视觉艺术学院，获得摄影与影像艺术学士学位，后于纽约帕森斯设计学院获得摄影及相关媒体艺术硕士学位。

她的艺术实践以摄影为起点，逐渐延伸至实验影像、投影、装置及行为艺术，并以空间装置作为主要创作形式。她的作品曾于美国、中国及英国展出，包括纽约 Photoville 摄影节（2024、2025）、平遥国际摄影大展（2023、2024）、丽水摄影节（2025）及英国 Glasgow Photographic Gallery（2025）。此外，她亦从事艺术教育工作。

潘亭希的创作主要围绕凝视、观看机制、权力结构与女性主义展开，关注视觉文化与社会规范如何塑造女性身份，以及观看与被观看之间不对等的权力关系。她常从个人经历与社会观察出发，通过影像、空间与装置构建不同的观看情境，使观众在参与作品的过程中意识到自身作为观看者的位置。

在《A Room for Her》中，她通过卧室空间、投影影像与象征性物件，探讨女性私人空间中的外部凝视；在《To See or Not to See》中，她利用窥视孔、影像与镜面构建受限的观看情境，揭示观看行为中的窥视与权力关系。相关研究亦延伸至九通道影像装置《Why Are You Watching Us?》。

除装置与跨媒介创作外，她亦进行纪实摄影实践，关注人物、社会环境及其背后的结构性关系。

Azusa Pan is a Chinese interdisciplinary visual artist. She holds a BFA in Photography and Video from the School of Visual Arts (SVA) and an MFA in Photography and Related Media from Parsons School of Design, New York.

Beginning with photography, her practice has expanded into experimental moving image, projection, installation, and performance, with spatial installation becoming her primary mode of artistic expression. Her work has been exhibited internationally, including at Photoville in New York (2024, 2025), the Pingyao International Photography Festival (2023, 2024), the Lishui Photography Festival (2025), and Glasgow Photographic Gallery in the United Kingdom (2025). She is also involved in art education.

Pan’s work primarily explores the gaze, mechanisms of looking, power structures, and feminism. She examines how visual culture and social norms shape female identity, with particular attention to the unequal power relations between those who look and those who are looked at. Drawing from personal experiences and social observations, she creates spatial installations and moving-image works that position audiences within constructed viewing situations, encouraging them to consider their own roles as observers.

In A Room for Her, she uses a bedroom setting, projected imagery, and symbolic objects to examine the external gaze within women’s private spaces. In To See or Not to See, peepholes, moving images, and mirrors create restricted viewing conditions that expose the dynamics of voyeurism and power. These investigations also extend to her nine-channel video installation Why Are You Watching Us?

Alongside her installation-based practice, Pan also works with documentary photography, examining individuals, social environments, and the structural relationships that shape them.

过往作品 Previous Works